Press

 
 

Bellonio Cultural Center, “LC Armstrong, Island Paintings,” August, 2017


Press Release by Marlborough, “LC Armstrong: Signals at Sunset.” February 8 - March 4, 2017


Press Release by Bellonio Cultural Center, “L.C. Armstrong: Island Paintings.” Santorini, Greece, August, 2017


Fay's Control, “The famous American painter L.C. Armstrong exhibits in Santorini!” July 29, 2017


Press Release by Marlborough, “LC Armstrong: Recent Paintings.” September 16 - October 18, 2014


Dannatt, Adrian. “Apocalyptic Sublime: On L.C. Armstrong's New Work.” August 22, 2014


Jenkins, Mark. “Waves at Matsushima,” The Washington Post, July 2, 2011


Armstrong, L.C., “Blue Shift,” Women in the Arts, October 22, 2009


McKinnon, E. Luanne. “Cirque du Paradis.” L.C. Armstrong: flowerscapes. New York: Marlborough Gallery, 2009


McKinnon, E. Luanne. “LC. Armstrong and the Language of Flowers.” L.C. Armstrong: The Paradise Triptychs. Winter Park: Cornell Fine Arts Museum, Rollins College, 2008


Ayers, Robert. “A Shift in the New York Landscape.” artinfo.com, September 10, 2007


Brady, Sallie. “Young, Focused and Fearless.” Art & Antiques, November 1, 2005


Slesin, Suzanne. “Art Lovers.” O At Home Magazine, December 1, 2005


Pagel, David and Terri Sultan. “Populence.” Houston: Blaffer Gallery, The University of Houston, 2005


Shaw-Eagle, Joanna. “Fusing Beauty with Danger: Armstrong’s Intense Vision.” The Washington Times, January 17, 2004


Hettig, Frank-Alexander. “Disguised ominous symbolism.” kM, October 1, 2002


Anonymous. “Young Americans: L.C. Armstrong on the Hudson River School.” Tate: The Art Magazine, April 1, 2002


Watson, Neil. “Close Cover Before Striking,” essay, catalog, “Burn: Artists Play with Fire,” Norton Museum of Art, West Palm Beach, FL, 2001


Sheets, Hilarie M. “Reinventing the Landscape.” ARTnews, March 1, 2001, pp. 128-133


Anonymous. “Twisted. Urban and Visionary Landscapes in Contemporary Painting.” Witte Raaf, 2000


Verstraten, Meggie. “Twisted 'Landscapes.'” Friends of the Stedelijk Van Abbe Museum Association. JRG. 6, NR. 2, November 2000, pp. 4-6


Van Neerven, Gabriël. “Photographic landscapes in the Van Abbe.” X, November 06, 2000


Spijkerman, Sandra. “A collection of special landscapes.” Trouw, November 01, 2000, p. 17


Kattenberg, Peter. “Artificial painting. Visual art Visionary landscapes in the Van Abbemuseum.” Financieele Dagblad, October 14, 2000


Pontzen, Rutger. “The painters' conspiracy.” VN, October 07, 2000


den Hartog Jager, Hans. “Paradise cannot be enjoyed: Trippy landscapes in Eindhoven.” NRC Handelsblad – supplement, September 29, 2000


Blotkamp, Carel. “The green heart of Global City.” de Volkskrant, September 28, 2000


Spaninks, Angelique. “Contemporary hallucinations. 'Twisted', twisted visions of city and country in contemporary painting.” Eindhovens Dagblad, September 28, 2000


Steinner, Flora. “The zeitgeist caught.” Algemeen Dagblad, September 26, 2000


Bronwasser, Sacha. “The Biennale, you do a bit of browsing. Curator Jaap Guldemond chooses who goes to Venice. 'For me it always starts with the artist'.” de Volkskrant, September 23, 2000


Anonymous. “Awake in a new world: Modern media make an entrance into figurative art.” Spits, September 21, 2000, p. 12


Anonymous. “Twisted. International young artists in Van Abbe.” Weekblad Voor Deurne, September 21, 2000


Anonymous. “Visual Arts, 2000.” Het Parool, August 25, 2000, p. 5


Protzman, Ferdinand. “Landscapes that Burn into the Imagination.” The Washington Post, April 27, 2000


van de Velde, Paola. “Romance mixed with Walt Disney.” Telegraaf, April 10, 2000


Volk, Gregory. “L.C. Armstrong at Postmasters.” Art in America, April 1, 2000


Ziolkowski, Thad. “L.C. Armstrong Review.” Artforum, March 1, 2000


Hayt, Elizabeth. “Style Directive for 2000: Make It Extravagant.” The New York Times, January 2, 2000


Geerling, Let. “Geschilderde natuurbeelden.” Metropolis M, Nummer 6, January 01, 2000


Pagel, David. “Flowers on a Fuse.” Los Angeles Times, May 7, 1999


Volk, Gregory. “L.C. Armstrong’s Floral Paintings.” L.C. Armstrong. Mall Flowers. Frankfurt: Galerie Hübner, 1998


Sultan, Terrie, “The 45th Biennial: The Corcoran Collects, 1907-1998”, essay, catalog, Washington, D.C., United States, 1998


Protzman, Ferdinand, “Business is Booming: Bomb Fuse Ignites L.C. Armstrong’s Imagination.” The Washington Post. Saturday, March 22, 1997


Milani, Joanne. “Gallery Glimpses.” The Tampa Tribune, August 11, 1995


Weibel, Peter, “Pittura/Immedia”, catalogue, Neue Galerie am Landesmuseum Joanneum Graz, Austria, 1995


Bousman, Kelly, “L.C. Armstrong: Making and Unmaking”, essay, catalogue, “Making and Unmaking“, University of South Florida, Contemporary Art Museum, Tampa, FL, 1995


Bousman, Kelly, “Resounding Silence: The Work of L. C. Armstrong”, essay, catalogue, “Making and Unmaking“, University of South Florida, Contemporary Art Museum, Tampa, FL, 1995


Napack, Jonathan. “Art.” New York Magazine, September 12, 1994


Rappenecker, Gert, “Jet Lag”, catalogue, Galerie Martina Detterer, Frankfurt, Germany, 1994


Hirsch, Faye. “L.C. Armstrong at John Post Lee.” Art in America, January 1994


Schwabsky, Barry. “L.C. Armstrong: Written on the Body.” Art Press, July 1, 1994


French, Christopher, “Like a Body Without a Shadow”, essay accompanying curation of exhibition, Marsha Mateyka Gallery, Washington, DC., 1993


McWilliams, Martha. “Shaping Up.” Washington City Paper, April 23, 1993


Richard, Paul. “Abstract and Personal.” The Washington Post, September 01, 1991


Thorson, Alice. “Brushing the Surface.” The City Paper, September 26, 1991